Tag Archives: big-big

100 Magics

As the NSA knows, I have spent the past six months or so cataloguing and writing on the 100 types of magic.  I am finally finished, though I probably went overboard on a few of them. Either way, I have done my part. You’re welcome.

  1. Pyromancy: Fire Magic.  Among the most popular of magics what with the ability to cast fireballs and make fire golems, but also the most dangerous of magics what with the strong possibility of lighting oneself on fire and dying.

  2. Illusion: Trick Magic. Bardlebard Nomage was among the most powerful and feared magicians of his time before it was realized that he was only really good at tricking people into seeing or hearing things.  After that he was quickly defeated, because people then knew his 10-foot tall flaming hell-hound was actually a partially blind 7-year-old Pekingese.

  3. Ventriloquism: Voice Magic. The Great Lester, famed Ventriloquist, was both able to speak through his dummy Frank Byron Jr., but he was also able to speak through his student Edgar Bergen before getting into The Great Ventriloquist Battle of 1907.  Lester was also said to be able to throw his voice with such force that he could cause internal hemorrhaging to organs.

  4. Hydromancy: Water Magic. Foremost Gangulon is the most powerful Hydromage in history.  Though he lived in the Perpetual Deadlands, he lived on a ship in a floating island of water and had a best friend who was a Porpoise, a butler of living water, and he even road through the street at night on his mighty water-horse.

  5. Teleportation: Moving objects through space. It is said that there is only one Grimoire of Teleportation, but once a Teleportationist tries to grab it to become more advanced it is sent to another corner of the Earth.  Teleportationists find this annoying, other magicians find it hilarious.

  6. Enchantment: Giving objects magical properties.  Enchanters are only as good as the objects they have.  Take Rory Klaus, a great Enchanter who had a staff that would bring death to anyone who opposed him.  One night while Rory was sleeping the staff was stolen, and soon after he was killed as he had no other magic items.

  7. Invisibility: Camouflage Magic. Xanthar Cancleon is the greatest Invisiblist to have ever lived.  In theory Cancleon is dead now, however by the end of her life not even she knew where she was in her house as she was so well camouflaged.

  8. Memoriamancy: Memory Magic. Opliate Hemofloat was a prodigious Memoriamancer, however he would always forget to protect himself from his own spells and, after years of research, would forget everything and go back to square one.  He died at the age of 32 after having forgotten how to breathe.

  9. Aeromancy: Air Magic. The Birdman of Alcatraz was actually a skilled Aeromancer, hence why birds liked him so much as he could create the perfect air eddies to help them get to the best of insects quicker.  He was never able to escape from Alcatraz, though, as the amount of Wind he would need to whisk him away from the Island would end up destroying the prison and he’d feel REALLY bad about that.

  10. Beastmastery: Animal Magic. Timothy Treadwell was a mighty Beastmaster who for a long time was able to speak with his Bear friends and keep them from eating him.  Unfortunately, as is the case with many Beastmasters, Treadwell made one mistake in the Bear Tongue with a semicolon (Bears are sticklers for punctuation, you see) which ended with his brutal mauling.

  11. Polyglotism: Language Magic. King Arthur once faced a Polyglot by the name of Zoozoom Judypunch.  The battle lasted two weeks, not because Zoozoom was that great or powerful, but because no knight of the round table could understand the Spanish Arthur had been speaking.
  12. Precognition: Future Vision.  The Oracle of Delphi is perhaps the most known Precog of all time, however what isn’t known about her is that she could only see one year into the future and never the present.  Hence why she preferred to spend her time in a cave away from people, as it made her limited interactions much easier to document and remember for the year later when they would actually happen.
  13. Pithanosia: Probability Magic.  Nosmus Catheter was a great Pithanosian, and it was said that nothing- not even the wind or the crowing of a raven- happened by accident around him.  Which only made Catheter’s death more mysterious when a tree accidentally fell on him.  There was no evidence of foul play, but it is widely assumed that Nosmus Catheter, Jr. was tired of his father controlling his life and had manipulated probability to have him killed.
  14. Vuotaika: Size Manipulation. Paul Bunyan is perhaps the most remembered of all Vuotaikans.  A little known fact of Bunyan is that only half of the time was he 10 feet tall, and the rest of the time he was his regular 5 foot three inches, while everyone else was one-tenth of their regular size.
  15. Wayfinding: Travel magic. Marie Byrd was a Wayfinder, and perhaps one of the Greatest of her generation.  Though her husband Rear Admiral Richard E. Byrd is credited with exploring Antarctica, Richard was only a Hydromancer who was able to part snow and make the ice into potable water.  Marie, his wife who was on the expedition with him, was able to navigate the empty whiteness and the Antarctic wastes, leading the expedition to the fattest of Penguin flocks, the best places for shelter, and eventually the the magnetic pole itself.
  16. Geomancy: Ground Magic. Geomancers throughout the years have gone to drastic measures to prove that they’re not just “rock wizards”, be it Giocatta Onice who almost sunk the Isle of Sicily, to Hansar Kumatose who singlehandedly caused the 1964 Great Alaska Earthquake, to Pacon Classtrike who attacked the Louvre with an army of animated rock-birds.
  17. Neuromancy: Thought Magic.  Nomnom Snoopy was the Neuromancer who caused this magic to become one of the four forbidden magics.  Snoopy was able to manipulate everyone’s thoughts so an entire village not only thought he was a harmless, magic-less town drunk but also that he was the most jovial and benign of personalities.  It wasn’t until another Neuromancer happened to wander into the village that the truth was uncovered:  Snoopy had been kidnapping and eating people for years in a twisted attempt at gaining more power to control the thoughts of the world.  Also, Snoopy was a really mean and racist drunk.
  18. Fylassijn: Imprisoning Magic. Gregor Guardepapudo is both the Warden of Bábkové Skala, the most magical prison in the world, but also the most powerful Fylassijn to have existed.  The Archmage Frownbeard had at first tried to destroy Guardepapudo, however every magician that got close would end up with their life’s essence imprisoned inside of a terrible puppet.  Eventually, Frownbeard made the agreement with Guardepapudo: No further action would be taken if he would now on use his magic to only imprison Magic’s greatest criminals.  Gregor mostly agreed.
  19. Sanguination: Blood Magic. Oliver Dracula was the Sanguinator who finally got Blood Magic put in the forbidden magics territory.  Going far beyond the pentagrams and parlor tricks of Sanguinators past, Dracula launched a full attack against the Istanbul Magiquary in 1862.  Dracula ripped the blood from those who tried to stop him, had an army of living blood golems, and every wound done to him would only make him stronger.  Soon the attack became a siege, though, and Sanguinators are ill fit for sieges what with their constant bleeding.  Dracula passed out and Istanbul was saved.
  20. Necromancy: Magic of the Dead. Skeleton Armies, Ghost Ships, Tombstone Automatons, Touch-of-death powers, Necromancer Hambald Vivaldi thought he had it all.  Unfortunately one day Vivaldi crossed his arms and killed himself with one touch.  His skeleton army remains, still to this day wandering about the seaside ghost-moors, only now Vivaldi’s own skeleton has joined its ranks as a shuffling, undead drone.
  21. Cappelium: The Magic of having really great hair. Zorcand Zorcand was a Cappeli who was said to be able to blind entire armies with a swish of his hair.  He purchased an island kingdom with only a lock of hair, causing the former island despot to go into poverty but die happy clutching that small chunk of glorious, glorious hair.  Another fun fact, The Biblical Samson was also a Cappeli, and contrary to popular belief it wasn’t the cutting of his hair that removed his powers, but rather the fact that he was given a bad haircut that removed them.

  22. Phrenology: Skull Reading. Cecilia Temacher, a phrenologist, became so adept at her craft that she was able to know every intention a visitor had for visiting her country cottage.  She had been able to avoid unwelcome interactions for twenty years that way, until one day a hat-mage refused to remove their hat and thus Cecilia was unable to see the visitor’s intention to murder her. Cecilia’s own skull is now a prized relic among Phrenologists.

  23. Astrology: Star Reading. Ptolemy, an Astrologer, isn’t necessarily responsible for many of his theories and discoveries.  Ptolemy merely wrote down what he read in the stars, and would often tell his best friends that he didn’t believe many of the things he wrote: Ideas on light reflection, the existence of the lands later to be known as the Americas, and the universe existing as a series of nested spheres.  However, Ptolemy said, if he didn’t write down what he saw in the stars the stars would make fun of him and his stupid-looking nose. Ptolemy hated his nose.

  24. Gastrology: Food Reading. King Wenceslas ruled over his land with an iron fist, and was largely uncontested by his subjects because of the feasts he would have.  Wenceslas would allow all who wanted to come into his castle and feast on his food any time they wished, and once they were done eating Wenceslas would use his Gastrological powers to read the food scraps left behind and find out his peoples deepest secrets and use those as leverage against his detractors.

  25. Herbamancy: Plant Magic. Herbamancers are great magicians, capable of using the very grass underfoot to devour entire armies that go against them.  However, as was the case of Samuela Lastrone, their powers require the plants to be alive.  Lastrone, in an effort to boost her magical powers, had tied her life to a plant-familiar in her magical garden.  This worked fantastically until she made a mistake in the re-potting of the plant-familiar and ended up severing the root systems and also her own life.

  26. Plastromancy: Reading cracks formed by heat on a turtle’s back. Yoyoba the Turtlemage was ridiculed by her peers, because at the time it was thought that Plastromancy was the reading of plastic.  Yoyoba would fail at reading anything plastic unless it was both turtle-shaped, and also hot enough outside to start to crack the backs.  However, she did have her own collections of turtles (Only turtles, mind you, no tortoises and no terrapins). Only on Yoyoba’s death bed did people realize that she had not only predicted her own death in the turtle’s backs, but also the deaths of everyone in that room.  She also said she knew the grand destiny of the entire universe, but died before she could share it.  It was then that two magical discoveries were made: first- Plastromancy is the reading of cracks formed by heat on a turtle’s back, and second- plastic is resistant to magic.

  27. Tasseometry: Magic of Tea Leaves. Nichiose Vichiose was the first Tasseometrist to realize that he magic went beyond merely reading tea leaves left behind in tea cups.  She could also summon swarms of tea leaves to do her bidding, cause tea bags to infiltrate enemy castles, and she could even change the flavor of tea with the snap of her fingers.  After Vichiose published her Idées Sur le Thé Tesseometry became the respected magical practice it is today.

  28. Scrying: Seeing and reading through crystalline surfaces. Namulon Surprise may just be the greatest Scrier in the history of magic.  Ever since finding her magic at the age of 16, Surprise surrounded herself with mirrors, crystal balls,  chandeliers, anything crystal which she could use to see to all corners of the world and read the past, present, and future.  At the height of her powers all a person had to do was ask a question out loud to her, and she’d be able to see it in her crystal castle and send an answer within three business days.  Her ultimate downfall was her success, though, as soon she became too busy to clean the crystal surfaces she surrounded herself with, causing her predictions and visions to fail, and her reputation to collapse.  She died working for the Idaho Magiquary in Boise.

  29. Oneiromancy: Dream Magic.  Tales tell of a Oneiromancer known as the Moonraker who visits struggling magicians in their dreams to show them the most incredible of tricks and help them solve their own magical problems.  The Moonraker is said to be able to merge dream-realms and connect two magicians minds together in their dreams as well, in fact the tales give the Moonraker complete domain over all of dream reality.  The problem is, no one remembers much of the Moonraker once they wake up and those who do often have really confusing descriptions like “She was made of sand, but it was a sort of bird-like sand that was also a pumpkin. Oh, and we could both speak fluent Spanish except that it wasn’t Spanish we were just speaking in Italian accents”.

  30. Hnifaugu: Knife-eye Magic. Jorgand Smorglos had eyes of cold grey steel, and even before his magic was known few dared to challenge him.  But one day a drunkard named Smae made the terrible decision to tell Jorgand “Your face looks the dog’s vomit”.  With that Jorgand stared a knife into Smae. An actual knife. It came out of his eyes and went into Smae’s chest and Smae died.  It was then that everyone knew: Jorgand Smorglos was a Hnifaugun.

  31. Omnipresence: Being Everywhere.  Omnipresenters are among the most powerful and most short-lived of all magicians.  Take Napos Galavax, an Omnipresenter who- once his magic was founded at 16- went on to capture an entire city by becoming it only to be simultaneously killed in every conceivable fashion.  Those who witnessed the magic-ceremony of Galavax said it was the most beautiful, terrible, horrifying, transcendent experience they ever had.
  32. Omniscience: Knowing Everything.  Omniscist Sir Morgan San-Soufi Hamlet Danube, Esq. III has written books on all topics and claims to know that he is the single greatest of all Omniscists.  Though rival Omniscist Hannibal Ungulate Reiganald Fortinbras VI, en harmonium says this claim is wrong, and that Sir Morgan Danube, Esq. III does not in fact know the exact number of times the eighth chickadee to have ever existed in the Kingdom of Poland blinked.  Sir Morgan Danube Esq. III claims that Hannibal en harmonium is only saying this because he himself doesn’t know that he knows this and, thus, is in fact an inferior Omniscist because of it.  In this argument one thing can be certain: Omniscists are among the most pretentious and annoying of all magicians.
  33. Omniphagery: Eating Everything.  Omniphage Chomp Nomsky nearly made Omniphagery into a forbidden magic when he set out to eat the sun.  He started on Earth and slowly ate his way through the air, through the gravity holding him down, through the atmosphere (fun fact: this may be where the hole in the ozone layer came from), and through space by eating every wave of solar radiation.  Nomsky made it to the corona of the sun, and prepared to sink his teeth in when a solar flare engulfed him before he could eat it.  The last anyone heard from Nomsky was that the Corona of the sun tasted like melting honey-pepper.
  34. Alchemy: Transmutation Magic.  Yes, most Alchemists go after the old lead-to-gold trick.  It’s a classic, and a type of coming-of-age for any young alchemist: If you turn lead to gold then you can get a job in the bigger Alchemy firms.  This, however, isn’t the most impressive of Alchemical feats.  It was said that Alchemist Gerhardt Gerhardt Gerhardt was able to successfully transmute his arm into an alligator (The alligator, having a mind of it’s own and not liking being attached to a person, immediately killed GGG).  Another famous Alchemist, Bluest Greenight, transmuted an entire village (stones, roofs, people, and birds) into stone, then mercury, then- finally- back into organic matter.  The village’s core components were shifted, though, and when Bluest got the village back into organic matter it was no longer a village but a giant tumor-beast that took eighteen of the best magicians to slay.
  35. Solvlast: Salt Magic.  Hompmah Prizrak was the King of Salt in 570 BCE, controlling the Bulgarian salt trade which took the best of salts to Greece, China, etc. and also trained other Solvastos.  Leon of Sparta decided that he shouldn’t take orders from a barbarian and organized an attack against Prizrak.  Six months later Leon received a large chest, which contained the salted and dehydrated remains of his entire army.
  36. Metalmancy: Metal Magic. The history of Metalmancy is one of gradual rise to power.  In ancient times Metalmancers were mostly known for coin tricks, then the became important in war efforts both in instant repairs to armor but also in animating suits of armor to fight in conflicts.  In the modern era Metalmancers work everywhere from construction, to mining, to ecological cleanup.  It’s even said that there’s a secret society of Metalmancers that secretly control the world, and that they are responsible for 9/11 and the Kennedy assassination.
  37. Financemetry: Money Magic. Financemetrists have made a fine mess of the world for most of their history, and the only reason this magic isn’t forbidden is because Financemetrists are among the richest of magicians.  Take the example of Oldy Forbes, who single-handedly caused the 1929 Stock market crash because he had a bad day, or more recently Bernie Madoff who almost got away with highly illegal money magics because he was very, very rich.
  38. Legiametry: Law Magic.  Harvard, before being open to all peoples magic and non-magic alike, was the primary Legiametry school in the United States.  It was here that young Legiametrists learned how to hone their skills to manipulate written laws to their will.  It’s important to note that Legiametrists can only manipulate written laws, and that their powers only exist so long as those they go against have extreme faith in legal systems.  Otherwise, a Legiametrist is powerless.
  39. Cinemetry: Movie Magic!  Cecil B. DeMille was one of the first revealed Cinemterists, and though his work in the movie studios can be seen, what is often overlooked is his involvement in the world wars.  DeMille first proved the power of the Cinemetrist in World War I when he was able to keep a crashing biplane up in the air with what appeared to be invisible monofilament lines.  he was also able to construct massive encampments and false war machines with the wave of his hand (another feat he was able to accomplish with the Ghost Armies of World War II).
  40. Vaahinee Jaadoo: Tube Magic.  Olgos Dromastaemous was a Vaahinee Jaadoogar who not only built aqueducts throughout ancient Greece, but also played a prominent role in the Trojan War when he trapped a number of Trojan ships in tubes and waited for their crews to run out of oxygen.  He was also very important for building the tube-tunnel beneath Troy, which was going to be the Greeks surprise attack before they decided on the Trojan Horse instead.
  41. Typometry: Typographic Magic. Nächster Guttenberg isn’t as well-known as his father in non-magic circles, but among magicians he is known as being the preeminent Typometrist.  Having been disowned by his father (though, to be fair, Johannes may not have known that Nächster existed), the second Guttenberg used his father printing press to create a legion of living letters: So long as there were words, Guttenberg could summon them to do his will.  This all backfired once Nächster was cornered in a field surrounded by illiterate peasants and soldiers with coats of arms, with no letters to summon he was stabbed and killed.  Later Typometrists found out that they could turn living matter into letters, though more often than not this results in the Typomestrist themselves being trapped forever as a letter on a page.

  42. Amns-Nomen: Name Magic.  +\!!!> was an Amnser-Nomen who spent her life searching for the true name of the world, because as we all know Amnser-Nomen are able to control anything they have the true name to.  +\!!!> asked the trees and rocks surrounding her home in her efforts to uncover the Earth’s name and gain control over it, but it was to no avail: +\!!!>, and by extension no other Amnser-Nomer, was able to find the Earth’s true name.

  43. Numerology: Number Magic.  Despite being widely ridiculed by the magic community, Numerologists will always be able to find work.  Francine Goldbaith, for example, spent fifteen years as a corporate accountant, like many Numerologists, until she was recruited by the military-industrial complex in the Cold War era to make it seem like the number of nuclear weapons the United States had was higher than it actually was.

  44. Arithmancy: Equational Magic. Arithmancers, with the power of changing and manipulating anything described by an equation, can be very powerful with the right tools.  Gog St. Vincent, for example, was an Arithmancer who was capable of manipulating the gravity around him simply by changing the operations included in Newton’s Universal Law of Gravitation.  It got to the point where St. Vincent almost collapsed the Earth in on itself by shifting the gravity and was stopped by the local Magiquiary.  In his later years St. Vincent tried to once again change the world by making i^2=2, which would have collapsed every electrical grid and plunged the world into fire and eternal night, but instead decided to try and change the equations of particle physics instead.

  45. Geometry: Shape Magic. It has been said that the great pyramids of Egypt where actually built as giant towers of stone, and they continued to be these stone towers well after the Greeks took over Egypt.  Then Eulcid, one of the first great Geometrists, decided that the Great Towers of Egypt should reflect the divine nature of the world and transformed the towers into pyramids.

  46. Grafiquemage: Graphing and Statistical Visualization Magic.  Soups McGooey was the leading Grafiquemagi for Scorns & Associates, a business consulting firm in 1980’s Connecticut.  Those who worked with Soups claimed that every graph she created made them understand business in a transcendental fashion.  This changed when Soups took on a job with Lockheed Aircraft, and changed for the worse.  When looking at a set of Data Soups conjured up a deadly pie chart that went on a rampage throughout the office, devouring people whole and taking on their risk assessment data to become even stronger.  In the end, Soups was able to banish the Pie Chart back into the Statistical Realm, but at the cost of becoming nothing more than a set of numbers herself. To this day, Soups McGooey is still just a set of numbers in a spreadsheet.

  47. Pimoshu: The Magic of Pi.  The First Pifashi- Heilun Xeixi- was misidentified as a low-level Geometrist at first, as the only thing she was able to change were circles.  However, as Xeixi got older she realized that it was not the geometry of Circles and sphere that she could manipulate, but their very definition.  She also realized that this extended to realms of Electromagnetism and Trigonemetric Waves.  Her Memoirs, Méiyǒu Jǐhétǐ, have formed the basis of Pifashis well into the modern age and have given the most succinct explanation of this magic which is: Pifashi see Pi in all things, and Pifashi can change Pi in all things.

  48. Paimoshu: The Magic of Pie. Oufei Xeixi was the sister of Heilun, and she is known as the first Paifashi.  While her sister whiled away staring at numbers and shapes and creating concentric circles in the air, Oufei was baking.  No matter what she tried to make- even if it was soup- it would always come out as a pie.  As the Xeixi’s distanced themselves from the sisters, Oufei realized she needed help and created Pie Golems to aide around the house and their surrounding fruit orchards.  For any raiders that came near, either Heilun would change the nature of their skull’s shape (after all, our skull has plenty of spheres in it), or Oufei would trap them in a delicious Pie.  So it was that Oufei showed the power of the Paifashi: That even though they have a funny power, they still have power.

  49. Lignumancy: Wood Magic.  Contrary to Herbamancers, Lignumancers need their plants dead and processed to have their magic work.  However, as Lignumancer Fortinbras Gallagher showed, their powers extend to both the animation and control of wooden objects (tables, chairs, signposts, whittled bears), but also to paper.  Finding himself surrounded by a legion of Fight Magicians without his Wooden army around him, Fortinbras was able to summon the papers from nearby recycling bins to swarm around and distract the fight magicians while Gallagher opened up a wooden portal and exited, full of splinters, safely home.  Gallagher did later find out the hard way, though, that Lignuancy only extends to tree bark, and not other dead plants, as he tried to ward off the same group of Fight Magicians with a bunch of dead flowers only to wind up dead himself.

  50. Metamorphosis: Shape-shifting. Ingrid Ghostback was a Metamorphist prodigy, capable of changing a brick into a mouse and back again in under two seconds.  Her pride was rather literally erased one day, though, when trying to perform the greatest of Metaphorosist feats (Shape shifting one’s torso into an elephant) when she mistakenly shape-shifted herself into a balloon and, now being inanimate, wasn’t able to shape-shift back.  Ingrid is now on display at the Smithsonian Magic Museum in Washington D.C.

  51. Wishmastery: The Magic of Granting Wishes. Contrary to popular belief, there is no limit to what a wishmaster can do: Do you wish for more wishes? DONE. Do you wish for true love? DONE. Do you wish to bring back the dead? DONE AND DONE. Wishmasters are, however, cursed in that they can only use their magic if another person wishes for them to, and only if that person says the words “I wish…”.  This is further complicated by the fact that Wishmasters don’t serve one person, and so if Person A wishes for Person B to be dead all Person B has to do is, before being killed by A’s wish, to wish for A’s wish to be changed so that Person B can go on living.  If all of this weren’t complicated enough, most Wishmasters also feel incredibly used by those around them and will often try to twist wishes in what is known as “The Monkey’s Paw Effect” where wishes gain an ironic and often deadly side-effect.
  52. Thaumaturgy: The Magical ability to do really neat things every once in a while.  St. Andrew Corsini, a Thaumaturge, is most known for accurately being told by the Virgin Mary, who appeared in a great beam of light with 17 cherubs flying around her like moths, that he will die come the Feast of the Epiphany.  However, he was able to do a few other really neat things in his life like on April 3rd 1322 when he, in the middle of a Florentine Winehouse, he jumped up and started singing “Puttin’ on the Ritz”.  Later, once he was a Bishop negotiating peace in Bologna he was able to make what is Historically noted as the greatest Bologna pun of all time.  He also once gave a poor beggar a piece of paper that ended up folding open to reveal a rip in space-time, where the beggar fell through and became Walt Disney. Disney thought that was a neat trick.
  53. Henosis: Merging Magic. The life of a Henosist is an odd one.  Take Llewyn Starpeerer, a sailor with the Dutch Trading Company who one night merged with his ship.  The next day most of his crew had been digested inside his galley-belly, and those who weren’t abandoned the Llewyn ship, leaving him alone as a one-man-ship sailing the seas forever, for it was feared that if ever he were to port he would merge and absorb more ships and possibly even the entire port itself.  Llewyn eventually merged with a school of minnows and drowned them all with his human lungs.
  54. Šeširočaro: Hat Magic. There certainly was magic in that old silk hat on Frosty the Snowman’s head, and that’s because it belonged to famed Šeširobuk Prof. William Hinkle.  Hinkle was a teacher of hat magic at Stetson University (the leading institution for Hat Magic), but he was also a part-time stage magician using his magic to pull rabbits and swords out of hats, disappear assistants into hats, and makes fireworks come out of his hat.  “The Frosty Incident”, as it has become known, was a travesty of hat magic that nearly cost Hinkle his professorship, the only thing that saved him was the fact that bringing to life inanimate objects with a hat had never been done before by a Šeširobuk and is now one of the most complex spells in the magical community.
  55. Catoptromancy: Mirror Magic.  Addanlo Mastar was a notorious thief, wanted in thirteen countries and pulling off some truly impressive heists (including one of many thefts of Munch’s “The Scream”).  The few who were able to corner Mastar said she was able to disappear at a moment’s notice, though teleportationists claimed it was impossible.  Finally magic detective Heller Smoke cracked the case: Addanlo Mastar was a Catoptromancer, capable of escaping through mirrors, creating mirror images of rooms and objects, and deflecting projectiles with mirrors.  She was finally apprehended by Magikamancers who trapped her in her own mirror, where she resides to this day.
  56. Horology: Clock Magic.  Cuckoo Tickentok (birth name Jonathan Greenwalt) was not a good Horologist, hence why he changed his name to a gimmick.  Tickentok went on to terrorize London as a masked super-villain, though most of his schemes involved stopping Big Ben, making Big Ben tick backwards, making Big Ben a digital clock, etc.  Magical authorities didn’t take Tickentok seriously. Until he killed off most of London by having their watches and clocks sprout clockwork wings and legs and go on a massive killing spree.  After that Tickentok was sent to Bábkové where he tends the clocktower (he also built the clocktower, because he’s unnaturally obsessed with clocks).
  57. Balai-magique: Broom Magic. James Algar was a Balai-magi under the employ of Walt Disney (who was a mid-level salt magician and the bane of his family’s farm).  Algar was hired, like many Balai-magi, to keep Disney’s extensive estate clean and free of dust, terrible terrible dust.  Algar did this by animating an army of brooms to do his bidding, which Disney thought was such a novel idea he forcibly injected it into the “Sorcerer’s Apprentice” segment of Fantasia.  Algar only found out about this years later after Disney died, witnesses claim that Algar was so upset that he was never told nor did he ever get any recompense for his idea that he hopped onto a broom and flew off into the sunset.  He was never seen again.
  58. Kasamahō: Umbrella Magic. Hira Baarish was born and died in the town of Cherrapunji, known as the birthplace for many a Hydromancer.  Baarish, however, was born allergic to water.  She spent the first fifteen years of her life inside and raised above the wet ground of her home, but fortunately things changed when she turned 16 and discovered herself to be a Kasamaji.  Baarish was finally able to step outside of her home, followed by her umbrella familiar Akash who would dutifully shield her from the rain, and even dry the area around her.  Baarish went on to work primarily in real estate, where she would use her powers to dry out land around construction and renovation sites long enough to have foundations laid for homes and businesses, and to this day many of Baarish’s umbrella-beacons can be found among busy squares keeping the people dry, and though Baarish is dead Akash lives on and keeps watch over her gravestone.
  59. Cartomancy: Card Magic. Cartolina Triomphe, like many Cartomancers, began her magical career by asking “Is this your card?”, knowing full well that it would always be the exact card the person was thinking of (even if it were, say, a greeting card).  It’s a simple but effective trick.  Triomphe, however, went on to become the famed Queen of Hearts when she opened the a card-rift into the Heart-world.  She ruled over her Suit domain for Fifty years and 6000 bridge games, led a full-scale attack against the King of Diamonds, and married the Jack of Spades in a Crazy Eights game that defied Card history.  After her marriage she exited the card universe with the Jack (now Jack Spadely) and lived the rest of her life writing for Hallmark in Nova Scotia.
  60. Cartography: Map Magic. Amerigo Vespucci is the premier example of a Cartographer.  He was able to manipulate maps of the time and shift land masses around them to show that the Brazillian coast belonged to a separate continent, instantly brand this new land mass with his name on every map, and even map out a few future landmarks (Including the Mall of America!).  Vespucci only ever made it to mid-level Cartography (so he was never able to visit anywhere he had placed on a map), but his name still lives on.
  61. Stickermagery: Sticker Magic. Hornsbald Golgolman was a brilliant Stickermage who rode on the back of a Lisa Frank unicorn and could instantly change a person’s name with a nametag.  Golgolman stopped the vicious Mandrake of Candle Cove by trapping it in a banana sticker-label, stopped a Typometrist attack on Times Square by turning the flying letters into stickers, and animated countless Hello Kitties for children all across the lands.  Golgolman met his ultimate demise when being awarded by the Archmage Frownbeard with the Gold Star of Bravery, which ended disastrously for everyone when the star became manifest and nearly destroyed the Earth with it’s heat, gravity, and fission.

  62. Pigmamancy: Paint Magic. Though Pigmamancers like Rembrandt or Monet, who were able to take landscapes and trap them in the paint-world, were very powerful and are immensely impressive, even more impressive is Pigmamancer Jackson Pollock.  Pollock was able to extract thoughts from peoples heads and turn them into streams of paint, he was able command paint globules with his voice, and even tap into the presence of a primordial paint-God.  It’s also important to note, though, that not every famous artist is a Pigmamancer.  Leonardo Da Vinci? Pyromancer.  In fact, he had one piece that history says was his masterpiece which he accidently burnt.

  63. Fíodóiraíochta: Weaving Magic. Sampo Salo was a Fíodóirdraoi who started out weaving moving tapestries and traveling into quilt-worlds.  One day, though, Sampo thought he’d try to animate some sweaters.  This turned deadly when the sweaters, now finding themselves living a tortured existence of perpetual pain, turned against Sampo and suffocated him.  He tried to save himself by animating pillows, sock monkeys, socks, anything out of string that he could, but everything was only imbued with the same pain and hatred for their creator.  The string-constructs of Sampo still walk the Earth, forever tortured, though many are now in magic zoos safely behind glass.

  64. Phosphoromancy: Light Magic. Susan Kirby, The Invisible Woman, was for many years misidentified as an Invisiblist.  During her life, however, this would be questioned when for a period of eight months she was a living rainbow, and for fourteen months she was followed around by an afterimage of herself.  To add even more confusion to Susan’s true magic was the fact that she couldn’t be photographed, and would sometimes flash in a retina-destroying beam of light.  The last part, the beam of light, finally clued in the local Magiquary that her magic license had to be changed from Invisiblist to Phosphoromancer.  Unfortunately when they did change it Susan travelled about the speed of light and ended up traveling back in time and erasing her own birth before a Chronomancer was able to fix the timeline and bring her back into existence, only this time she really was an Invisiblist and not a Phosphoromancer.

  65. Farolamage: Lamppost Magic.  Noyaux Pomona was a Farolamagi during the French revolution who would use her magic powers to teleport away from Monarchists, cause the lampposts that lined the Paris streets to bend down and snatch people up, and take the light away from the night streets so her comrades could move in the shadows.  Louis XVI was finally able to apprehend Pomona by cornering her in an alleyway in broad daylight.  With no lampposts around, Pomona was powerless.

  66. Rafgaldur: Electromagnetic Magic. Steeg Gort was a viking Raftöfra who would command storms at sea, and command lightning from the sky to strike at neighboring clans.  Gort discovered some rudimentary attributes of magnetism as well by stopping the iron weapons used against his men in battle.  The only down side to Gort’s immense strength in battle was that he- being only a mid-level Raftöfra- constantly interfered with his ship’s navigation and compasses.  He ended up dying, stranded in the North Pole.

  67. Spiders!: Spider Magic. Jimmy Halfgait was perhaps the most powerful Spidermage to have ever existed: He commanded legions of spiders with his thoughts, he could create mental constructs of spiders, he could melt into spiders, he could have spider crawl out of his skin, he could turn people into spiders and spiders into people.  He could have been a spider-god.  The only problem was that Jimmy was immensely arachnophobic, and every time he used his power he was overcome with crippling fear.

  68. Potoplify: Energy Conversion. All of the scientists who worked on the Manhattan Project were magicians, of course, though only Oppenheimer was a Potoplifier. It was Oppenheimer’s job both to work out the Fast Neutron calculations of the atomic testing, but he was also in charge of converting residual atomic energy into low-level ultraviolet energy.  He also walked around the test grounds after the Trinity test and converted all of the nuclear fallout to potential energy, which would manifest in little pockets of “slow motion”.  Oppenheimer’s famous quoting of the Bhagavad Ghita “I am become death” was in regards both to the horrendous power he loosed on the world, but also because Oppenheimer knew he would have a long night of clean-up ahead of him.

  69. Potophagery: Energy Absorption. Julia Neverwhat was a Potophage who had achieved the highest level of magic and was able to absorb magical energy from others.  She is on of the few non-Magikamancer to have made a living offering to rid people of magical powers, whether they were Omnipresenters who were caught early enough or Ennuimagis who grew tired of being magicians.  Neverwhat was also an early champion of woman-wizard rights: she was one of the first women to be on the board of the New York Magiquary, she was in the March of 1000 Woman-wizards in Washington, and she even led an assault against a group of incredibly misogynistic Neuromages.

  70. Eudaimonia: The Magic of Happiness. Jimmy Omnol was a low-level Eudaimonic and a high-level con-artist who swindled millions of people out of their money through a self-help seminar called “Unlocking your inner Happy Person”.  During the seminar Omnol would use his powers to make everyone in the room intensely happy, happy to sit and listen to Omnol’s “seminars” (which were mostly him reciting grocery lists), happy to give Omnol more money, happy to include Omnol in the last wills and testaments.  In the end the Kansas City Magiquary (Kansas City being well-known as being the most unhappy place on Earth) sent in specialized units to apprehend Omnol.  The attendees of the seminar were all too happy to defend Omnol, and a massive riot broke out during which Omnol was knocked unconcious and his happiness-spells broke.  He is currently in magic prison.

  71. Melancholia: The Magic of Sorrow.  Francisco Aleman was a conquistador who led an expedition deep into what is now the Yucatan Penninsula.  Francisco himself was a Lignumancer (which was helpful in jungle exploration), but his true purpose was to help his daughter Maria Aleman who was a Melancholic and otherwise would have been executed in 1487 Spain for spreading sadness to the kingdom.  The Alemans were able to set up a small village, Las Lágrimas, which among other things is known as being the origin of the story of La Llorona the infamous crying ghost.  It is said that Maria was set to marry Felipilo Lagarto, the son of Francisco’s expedition partner and an Immortalist, but since Maria was never taught to control her powers Felipilo was far too depressed to go forward with it.  Unable to bear the shame that it would bring on him and his family, Felipilo killed Maria, but cursed her spirit to forever wander the Earth shedding her ghostly tears.
  72. Reiðgaldur: The Magic of Anger.  Reiðtöfra, historically known as Berserkers though now this has a tone of denigration, have been on the fringes of magic society for most of written records.  Tybalt Laertes was a fearless Reiðtöfra who charged into many battle during the 12th century and was able to inspire the same vigor in those he surrounded, but once he entered civilian life he only inspired pub fights and petty arguments.  Mars Creed was another Reiðtöfra who used his powers to feed off of the anger of the underprivileged workers in his steel mill in Detroit and according to historical accounts (though these are barely legible, as they were written in intense anger) Creed nearly destroyed Detroit before a masked vigilante- Das Auto- stepped in.  Creed is now screaming in perpetual anger in a cell, though Eudaimonics are able to calm him down every once in a while.
  73. Phobomagery: The Magic of Fear.  Humdrum Bubblegum was a portly woman with bright red pigtails who lived in a candy-cane house with three adorable Pomeranian pups.  She was also a low-level Phobomage, and as such everyone was terrified to go anywhere near her house.  She was known as a terrible dragon-witch with flaming eyes who would devour children whole.  She even tried to set up a candy business in the nearby town, but everyone thought it was evil poison.  Fun Fact: Humdrum Bubblegum was the inspiration behind the Candy-Witch in Hansel and Gretel when news of the terrifying witch who lured kids into her hellish home with candy came to the Brothers Grimm (Another Fun Fact: Jacob and Wilhelm Grimm were typographic and umbrella magicians, respectively).
  74. Egercraft: The Magic of Awe.  Howard Thurston is among the most well-known Egercrafter, and the author of what is still the foremost book on Egercraft: Whiz-Bang!  To view many of Thurston’s now famous “rising card” tricks without the aide of Awe Spells one would note that he was just flipping cards over, however audiences would become enraptured by it and on the night where Thurston performed what many call his greatest trick of all time where attendees paid an enormous $7 to get in (mind you, this was around the turn of the 20th century).  There is only one immensely disappointed review of this trick from Magikamancer Istoph Exolusion where he stated: “He Just stood there for two minutes, then took out a deck of cards and showed someone the five of clubs.  That person became so excited that they had a seisure.  Thurston panicked for a while before calling the hospital to have the poor sick man taken away. I do not think he survived. Thurston got a standing ovation, even from the paramedics”.
  75. Ennuimage: The Magic of Boredom.  Hemoglobin Gygax was a prodigy Ennuimagi, having written the only book on Ennuimage: Boring Magic and Stuff which is  thirty pages long, with the last page being “stupid stupid magic” written over and over again.  Hemoglobin was also able to stop a bloody battle from happening amongst French and German troops in World War I by making both sides so bored with fighting that they put down their weapons and sat around complaining about mud for forty-five minutes before taking an aimless stroll.  Hemoglobin apparently didn’t even want to stop the battle, but the great Chronomancer Geordi Treblecleff asked really nice, and she wasn’t going to be doing anything that day anyways.  Hemoglobin’s tremendous power ended up being her undoing, though, as she died very young at 36 when her heart “became so bored it stopped beating”. She was working on a second book called More Magic Stuff I forgot About The First Time or Whatever.
  76. Epistomancy: The Magic of Trust.  Richard Nixon is, for better or worse, the first Epistomancer any magician can name.  He first began using his trust magic for personal gain during law school by making his professors trust him with test answers.  Throughout the next few years Nixon would pull similar stunts: Make people trust him, and use that for his advantage.  Fortunately, he was a congressman so no one thought of it.  Even those who did would keep on trusting Nixon.  This all came to a head in the Watergate scandal.  The public was conflicted: They wanted to trust Nixon, but the evidence against him was overwhelming.  The Archmage at the time, Dooley Pickens Lamppost Magician, was able to undo many of the interweaving spells Nixon had cast during Nixon’s hearings and eventually, having realized the full extent of his actions, Nixon resigned.  It was then that he was cursed by an Immortalist: for the remainder of his time Nixon’s life force would be connected to how many people who would forgive him of his many lies.  Nixon tried to make up for a lifetime of abuse of power, but in the end one person never forgave him and Nixon died.
  77. Nàixīmoshu: The Magic of Waiting.  Nikkeil Kha is believed by many (for good reason) to have been the greatest magician who ever lived even though she only ever performed one spell.  From the moment she was revealed as a Nàixīfashi to her death 94 years later she sat alone in a mountain shrine, weaving her spell.  Thousands flocked to see her work, with one word being uttered over the course of months.  Right before she died she finished, and the mountain that her shrine was on crumbled, let out a pillar of light, and sunk into a lake.  It was brilliant, and no one knows how she did it.
  78. Amoremancy: Love Magic.  Cuddly Wuvenstuff was the greatest Amoremancer to have lived, capable of creating flawless love potions, looking at a person and telling them without fail the name of their soulmate, fixing marriage on the rocks, and even easing Cold War tensions during the Kennedy era.  Wuvenstuff was also the most miserable and lonely magician to have ever lived, as are most Amoremancers as they’re never certain if anyone- even their own parents- truly love them or if they’ve been weaving subconscious magic.  Cuddly Wuvenstuff spiraled downwards to alcoholism and drug use, and eventually committed suicide on April 27th, 1973.
  79. Gonamagery: The Magic of Being a Parent.  Hellion Bloode was raised on the mean streets of Detroit, and at a young age got into a major Hnifaugu altercation which left him with knife marks all along his left side.  Due to another altercation with the head of the Detroit Ventriloquist Mob  (Mr. Chuckles) Bloode’s voice sounded like a bag of rocks.  By the time he was 15, everyone thought it was over Bloode, that he would be another magician who would fall through the cracks.  That was when Bloode was revealed to be a Gonamage.  After that he was supremely proud of everyone in his community and would sort through a large photo book of all the people he knew, showing the picture to anyone who would listen.  He would show up at work with a mini-van and offer rides to soccer practice or the movies, and would ask questions like “Do you kids still like the rap music?”, or “How’s about we all get some frosty chocolate milkshakes?”.  Everyone loved Hellion Bloode like a father, and Hellion Bloode loved everyone like they were his kids.
  80. Pappoumagery: The Magic of Being a Grandparent.  Kiddo Bloode was, of course, the the son of Hellion.  And Hellion was a great Dad!  He’d show up to all of Kiddo’s little league games, he was deeply involved with Kiddo’s school and had a vast collection of camcorder tapes of all of Kiddo’s recitals and school plays, Hellion was great and an inspiration to the community.  Hellion was so great that Kiddo was worried that he’d never live up to his father’s expectations.  Fortunately, Kiddo was revealed to be a Pappoumancer.  Kiddo would shuffle through the neighborhood and offer hard candy to his friends; he would reminisce about the times when he was 10 years old and finger-sized skateboard were “cool”, and recount stories from the great Tekken tournament of ’97.  Luckily this was during the mid-2000’s, when reminiscing about things that happened five years ago was in vogue.  Kiddo was also free of feeling like he had to save up money and establish himself as an adult, and instead focused on what he truly loved: Butterflies.  He’d often talk for long hours about butterflies too. His Dad was so proud of him, and Kiddo was proud to see his little Dad all grown up and making a name for himself too.  Side Note: Kiddo’s son, Sonny, broke from the family and ended up being a decent Phosphomancer.
  81. Umbramancy: Shadow Magic.  Gilda Sturm, Queen of the Shadows, was the lead Magician at the Philadelphia Magiquary by the time she was 29 in 1976.  She would command shadows, steal shadows, melt into the shadows, and even volunteered at local public libraries giving shadow puppet show to the children.  This was also at a time when the Archmage, Dooley Pickens Lamppost Magician, was held in very low regard and everyone thought that Sturm would be the next Archmage of North America including Sturm herself.  This changed when Gilda’s best friend, Moira Drang- a gifted Phobomage- was killed because of intolerance and fear (not because Moira was a Phobomage, but because she was a black lesbian who fell in love with the daughter of a rich Philadelphian Alderman who couldn’t bear the shame it would bring).  Sturm spent the rest of her life running a non-profit fighting intolerance and helping underprivileged magicians afford higher education.

  82. Immortality: Healing Magic.  Myrddin Wyllt, or Merlin as he’s more commonly known as (and Nimue finding out his true name is part of what led to Merlin’s ultimate demise), is everybody’s favorite Immortalist.  This is for good reason, as he lived for over one thousand years by constantly healing his dying cells, he made Excalibur into the deadly blade it was by reverse-engineering his Immortality powers, and he is one of the few non-Magikamancers to have been able to cast spells from other magics (though never anything high-level).  A fun Merlin Fact: He had a deal with Chronomancer Chewy Nougat to bring him an Oh Henry! chocolate bar on his birthday every year after Merlin saved Nougat from a Dire Bear.  This information is eventually what led the Lady of the Lake to find Merlin’s name, though he would always insist that it was worth it.

  83. Majelidan: Poison Magic. Herb Trowlers is one of the few Majelidans to have made it past 18 years old, as most poison themselves and are unable to magically craft an anti-poison in time.  Trowlers, though, was lucky, and he didnt want to push his luck.  So he spent his time on a rattlesnake ranch in Old West Colorado, making rattlesnake anti-venom for doctors and travelers and any other sorts of anti-ventom folks may need.  He tried not to make a name for himself, but before long he ran afoul of the Lead Foot Gang from up near Jackson Hole, Wyoming.  Ol’ Stompin’ Greg, leader of the Lead Feet and a high-level Metalmancer, challenged Herb to a showdown. Greg died of lead poisoning, Herb died of lead.

  84. Leaíochta: Potion Mastery.  Dr. Henry Jekyll was a well-educated Leaídroi, having learned from the oldest potion school out there: The Blackburn Institute.  Dr. Jekyll spent his time in Gentlemen’s clubs and barrooms, as was the style at the time, until one day he was challenged to a potion duel by Dr. Hurlhahn Kleinstein (The nerve!).  Jekyll and Kleinstein- attempting to create a potion which would grant them abilities from another magic- decided through The Rules of English Magick Duelry- that Jekyll would drink Hulhahn’s potion and vice-versa.  We all known what happened to Jekyll, Hurlhahn had weaved in a terrible Metamorphist spell.  Hurlhahn, meanwhile, caught on fire.  Jekyll and Hyde both agreed it was worth it, because Hurlhahn was the true beast for not having gone to Blackburn.

  85. Voodoo: Channeling charms.  No discussion of Voodoo can be had without first mentioning Marie Laveau, who not only did she craft thousands of charms for the poor and needy of New Orleans and beyond, she also wrote the foremost textbook on Voodoo: Beyond Zombis, where she discussed many of the intricacies of Voodoo magic and dispelled many of the myths.  Laveau’s spirit is still accessible through her grave, which is a special charm she crafted herself, and she also lives on with the Marie Laveau foundation which seeks out and gives research grants to young Voodoo practitioners.  The most recent grant winner, Coarsley Norandu, is working on making an aluminum alloy that will channel Spenta Mainyu, the Zoroastrian archangel of “Bountiful Spirit”. Energy drink companies are watching this research with great interest.

  86. Varicellardy: The Magic of Chicken Pox.  Chicken Pox was a terrible disease, sweeping through entire towns and wiping them out. It was thought at the height of the Chicken Pox Scare of 1650 that the disease would be worse than the Black Plague.  Finally, in 1656, the leading Sciencemancers and Magikamancers of the Supramagiquary off the coast of Africa were able to successfully make the first Varicellard in Richard Morton (who up until that point had been a weaving magician specializing in monograms).  Morton was awarded the silver moon of magic by the Archmage Merckus Oval.

  87. Sciencemancy: Science Magic.  Before Sciencemancy it was thought that the Gods and Archmages controlled the world, which is primarily how some of the more feared Archmages like Dort Ra Mghu and Choorish Ipop got away with their horrible, horrible crimes against magickind.  It’s also how one Pyromancer, Goody Dushu, was able to start up the Salem Witch trials.  But through the work of Sciencemancers like Isaac Newton, Marie Curie, and Max Planck the world has been radically changed for the better.  Even to this day the best Sciencemancers are working on unraveling the scientific nature of the universe, unlocking new and exciting magical possibilities, and conducting important magic counter-research to make sure other magicians are conducting correct experiments.  A magician need not be a Sciencemancer to make large scientific discoveries, though, as Charles Darwin was a Beastmaster and Nikola Tesla was a well-regarded Cartographer.

  88. Cybermagery: Computing Magic.  Pyx3l Syzygy was elected Archmage of Berkley in 1993, and to this day holds the record for the most illustrious of all Archmages (including Barharbar the Incompetent).  He spent up a lot of Berkley’s magical energies trying to launch a digital database of fire hydrants in the city, he gave high paying positions in government to under-qualified friends (the waste commissioner of Berkley is still Decycle Gregory, a low-level Phobomage hired during the Summer of Pyx3l), and he auctioned off seats on the school board for supposedly high-end technology (mostly, it was Sega GameGears and some early VR equipment).  Pyx3l even briefly held the city under martial law, claiming that he’d only give up power for “The n00b who can get past my many firewalls”.  Moose Climbtree got past them in an hour and a half after much slamming on a keyboard from Pyx3l.  Pyx3l stepped down from the archmage position and currently spends his time on message boards ruining “Game of Thrones” for people. As a side note: Moose Climbtree wasn’t a Cybermage or very good with computers.  He was a Lignumancer and a firefighter.

  89. Krystalosum: Glass Magick.  For centuries Glass was immune to magic, until Sciencemancer Frodo Hydenstein in 1863.  Frodo had been given a grant from the Royal Academie of Magicks to continue her work in wards and penetrating magic, and had already crafted a firebolt that could pass through a block of ice a meter thick!  Late one night Frodo was working on her next project: creating a better containment cell for Bábkové Skala, when the magical energies she was working with became unstable and engulfed her laboratory.  Frodo was frozen in glass for two years before she was able to break out, but when she did she became the first Krystalose and the first in centuries to create a new magic.

  90. Bibliosahar: Library Magic. Demetrius of Phaleron was not the first Bibliosahir, nor is he the best to have existed (to date, that honor belongs to the Bookmage of Ottowa), but he does hold the honor of not only being in charge of the organization and day-to-day mechanics of the Library of Alexandria, but also as being one of the most powerful magicians in the Classical Era.  Demetrius not only guided the scrolls of papyrus back and forth from their shelves to the patrons, he also kept the library safe from dust mites, pyromancers, and evil phobomages (because as well all know, fear is the mortal enemy of knowledge).  It was even said that when Melvil Dewey, creator of the Dewey Decimal system, was searching for the perfect library classification system he used Demetrius’ journals for inspiration.  However, Dewey made one too many enemies, the greatest of which was Julius Caesar who set fire to the Library in 48 BC.

  91. Spartimageía: Fighting Magic. Stoppard Killswitch was a powerful Spartimagos and a highly decorated soldier in World War II, having fought his way through the Second Battle of El Alamein, the Invasion of Sicily, and even into the Eastern borders of Germany.  Killswitch came home to a parade, and his wife couldn’t have been happier with him.  It wasn’t until after the war that Killswitch started to run into problems.  He was unable to control his violent behavior, and found himself in and out of jails and drunk tanks often.  He would wake up screaming and punching the wall, and eventually demanded his wife leave with their child out of fear that he may hurt them.  Eventually Killswitch was able to find respite in a wartime survivor’s group and in anti-depressants, and he found steady employment in demolition and as a boxing instructor.  He still has violent episodes, and he still struggles, but things are getting better.
  92. Thanatosum: Chaos Magick.  Aleister Crowley was a low-level Thanatose, and when he first published The Book of the Law in 1904 he was actually trying to stop a renegade mummy raised by Necromancer and Egyptologist Karl Baldersten.  Unfortunately Thanatosum is an unstable magic, just as likely to cast a magical bolt that would destroy a reanimated egyptian prince as it is to turn its user into stone. Crowley took this as a sign from the Egyptian god Ra that he wasn’t meant to kill the prince and instead worship it, and the two became good friends and bunkmates until the Mummy, who Crowley named Ahathoor, was taken in by the British museum in 1928.  Crowley never forgave them, and every day would try to destroy the museum only to, among other things: turn peoples heads into balloons, melt the whale skeleton, make the models of ancient man wear long pants, and cause a giant ghost clown to waddle through the museum singing the score from the HMS Pinafore.
  93. Élegamange: The Magic of being able to eat elegantly.  Simone LaLangue was the toast of the town in belle époque Paris who was invited to every party, every gala, anywhere where people could gaze as he shoved cheese, bread, berries, anything into his mouth.  Whitelaw Reed, a US diplomat who saw the Élegamangeur in action at the Exposition Universelle, claimed “To see Simone eat is to gaze into the mouth of God.  Truly he is France’s greatest jewel, and I but wish I had a lifetime to spend here so that I may gaze at the sublime angle of his fork and knife as he digs into a slab of steak, the brilliant SMACK of his lips as he chews his food, and the awe-inspiring ease with which he wipes his mouth with a napkin.  Beyond Edison’s electric bulb and Debussy’s sonatas, LaLangue was the true winner of the Exposition Universelle”.
  94. Alssujad Sihr: Carpet Magic.  Yes, yes, we all know of Prince Husain the Alssujad Sahir who made a carpet fly, and it’s very impressive. However it’s much like an Alchemist turning lead into Gold: It’s the first trick one learns and it really only serves as a party trick.  However, there have been much greater Alssujad Sahirs: Like Abdul-Qadir Gilani who was able to use his carpet to create a pocket of osmosis which allowed him to walk across the river Tigris, Wiktor Vasnetsov who trapped people on a painted carpet, or American Actor Jeff Bridges who has used his carpet to fuel his fantastic acting career.  The only important thing for an Alssujad Sahir is not to be like Roomborn Stallinsnow who used his magic carpet to light his house on fire, which also burned his carpet and caused a magical singularity that the Archmage Frownbeard had to stop.
  95. Kanataika: Chicken Magic.  As we all know chickens were considered for centuries to be the most magically powerful of all creatures, because they possess a unique immunity to almost all forms of magic.  This was before the witch Baba Yaga, who began life in 1715 as an Enchanter but dreamed of being something more.  She lived in a hut in the woods and raised chickens, hundreds of them, as she found a comfort in their beady chicken-eyes and constant bocking.  She would try every day to use her magic on the chickens, but of course it wouldn’t work.  Baba Yaga was unsuccessful until her 40th birthday in 1755, when she woke up in her hut and found all of her chickens surrounding her.  One, Kudkudakaty, hopped onto her bed and said: “For your commitment to the chicken cause, we have chosen you Baba Yaga.  Rise today, for you are now the witch of chickens: The Kanataikuri”.
  96. Swelgendorcraft: Vortex Magic.  The only magic defined more by the circumstances in which it can be used then the circumstances which it causes, Swelgendocrafters can only cast spells in a vortex: whirlpools, air eddies, the winds surrounds tornados and dust devils, ship wakes, etc.  Paul the Deacon was the first known Swlgendocrafter, said to be able to cause maelstroms with a twirl of his finger, or drill a hole one thousand miles deep with a twist of his staff.  So long as Paul had enough vorticity, he could infuse it with any magical attribute or power he wished, including one instance in 777 where he made an invisible tornado that made any birds caught in it sing the name of God.
  97. Vacuumancy: Void Magic.  Zhang Heng is the first documented Vacuumancer, though at the time the concept of a vacuum was beyond comprehension as it was believed the Earth, Sun, and Stars all existed in a type of mechanical sea in the heavens.  Zhang began to question this when he created his first Xūkōng Shòu or Voidwalker, a creature made of living nothingness.  Zhang was terrified by this beast who engulfed all things around it before vanishing (for nature abhors a vacuum), and began to study his own powers resulting in the formation of his belief that there were large swaths of nothingness in between the mechanisms of the Earth, the Sun, and the Heavens.  He published his findings in a book not truly published until it was found again in the 19th century  entitled My Thoughts on Nothing.
  98. Chronomancy: Time Magic.  Ami Swindle is the most enigmatic of all magicians.  It is not known whether Swindle is the first Chronomancer, the last Chronomancer, or just a very good one, but she has been seen throughout history.  Swindle’s exact motives are also clouded in mystery, from the record book of Chewy Nougat she is described as immensely selfish and monomaniacal (though it is also important to note that Swindle and Nougat used to be lovers before a famous break-up in the court of Napoleon), infamous Backward-man Benjamin Button describes Swindle as a trickster and deserving of her name (though it’s important to note that Button’s “condition” was the result of curse Swindle put on him, and that he actually really enjoyed living backwards until he was an 80 year-old fetus), or a guardian of time itself by the last great Archmage Jimmy Carter (though it’s important to note that Swindle is a major donor to Habitat for Humanity, and has claimed that she grew up in a Habitat for Humanity house in New Detroit).  Swindle herself refuses to answer many questions about herself or when she comes from or how she’s altered the timeline.  She will answer questions about Chewy Nougat, though, who she claims was “An Arthurian jerk who deserved to be trapped in glass”.
  99. Spatiamancy: Dimensional Space Magic.  For years it was assumed that Edwin A. Abbott’s famous novella “Flatland” was just a story, however in a 1908 interview with the Washington Post Abbott revealed that he was a Spatiamancer who had actually travelled to the second dimension for four years to document second dimensional society.  He claimed it was “Immensely boring”, which has since been backed up by other Spatiamancers.  Abbott also claimed to have visited the matriarchal second dimension, and even briefly sojourned into the fifth dimension where he saw “A monster of all possibilities”.  Abbott also claimed, during his schoolboy days when he was just learning about Spatiamancy, that he spent three days trapped as a drawing in a notebook.
  100. Magikamancy: Magic Magic.  The rarest and most powerful of all magics, the most notable example of the Magikamancer is Torvald Clambake who made it necessary to create the Magiquary system now in place in the 11th century when he went on a quest to rule the world.  All the horses and all the men were mobilized against Clambake, though he was able to turn every magic against the person who cast the spell and against others.  With the threat of magical apocalypse nigh, the fate of the magical world rested on Bald Sorpano: A Nils (or a person born with no magic.  Roughly 12 in every 100,000 people are born Nils).  Bald was able to successfully walk up to Clambake and stab him, over and over again with a rusty knife.  The Scriers who saw this claimed it was a terrible but cathartic death.  After that Magiquaries were set up in every major population center to track magical powers and aide in magical research and management, and now you know the rest of the story.

 

I Don’t Talk About Music: The Musical

Let’s have a conversation!

Okay!

YOU.

No, YOU.

Okay… me.

For those of you who are following the journey of The Tape, the above was Andrew’s summation of what this “conversation” has been.  For those who have followed my analyses of the past entries, you know that for the most part I’ve been seeing them as a way of visualizing the internet itself.  Well, that is until “Missing“.  With Missing we started a new conversation, marked both by the overwhelming honesty of it and how deeply personal the film was to Andrew.  This was also marked because the old tape, the one with “I Got the Poops” to “Powerful Magics” on it that was inscribed with wacky magical runes and everything was destroyed.

This new conversation took me by surprise.  I had planned for a lot of thing in between Powerful Magics and Missing, but I hadn’t planned on that.  I hadn’t planned on something personal.  How would I respond?  Clearly a lot of the more wacky ideas I had come up with wouldn’t work, clearly I couldn’t just mirror and refract like I did before.  So then how?  By making something personal.

Before you watch the video below, I must warn you that it’s deeply personal and explicit.  For those of you who wish to watch my films and be interested in my genre explorations and digital experimentation that’s perfect and wonderful, but this is not a video for you.  This is a video for anyone who wants to truly know more about me as a human. You may continue at your own choosing and your own risk.


I Don’t Talk About Music: The Musical from Vvinni Gagnepain on Vimeo.

I don’t like talking about myself, and the very idea that you’ve just watched half an hour that’s all about me is something that a part of me finds disgusting.  However to respond any other way but personally would be to disregard Missing, and it would be to disregard Andrew.  That was something I didn’t want.  But IDTAM:TM is more than a simple need to reply to a video that one person will see.  This correspondence, though presumably just between Andrew and I, has always been open and these videos are always available for anyone to see.  So why make a video that I find deeply uncomfortable and whose subject matter deeply bothers me if I know it will be seen?  1) I’m not 100% sure this will be seen; and 2) Because I need to say this.  I needed to make this video.  Now that it’s released I’m not going to lie and say that I’m Okay, but I feel like I can start moving forward.

So now, let’s move into looking at what this film is.  And it’s a bit of a mess.  I have hours and hours of footage related to this project on my computer, enough to probably make an entirely different movie about an entirely different subject matter.  Going into the reply I knew that I’d answer Andrew’s plea for “The Truth”, but for me there’s a reason I don’t like telling the whole truth: It’s painful.  It’s painful because the Truth, so much as it exists (and one of the things I’ve been coming to realize is that truth is something very ill-defined), is that as difficult as these past years have been for Andrew they’ve also been difficult for me.  Going back to CSF, graduating, working several minimum-wage jobs, getting shouted at and demeaned by 12 year-olds — things haven’t been going my way.  I don’t know if this is “true” or “false”, or rather I’m not sure how much of this is out of my control and how much of this is my own attitude towards events that have happened.   So life is messy. Life is complicated. Life is sad,  Life is something I haven’t really ever been prepared for.

So naturally I’ve been thinking about ending life.  This was the truth.  This was what I would look at. This would be my Self-Portrait.

So why the mess?  Part of this is the problem presented in the film itself: I’m tasked with replying to a film, so if I throw out everything about the previous entries and the means of communication that we’ve set up then I wouldn’t be replying to it.  But If I were to just copy the structure of Missing then I wouldn’t be staying true and I would lose the point.  It was a damned if I do, Damned if I don’t scenario, and as always when I come the clearing with two paths I decided to take the road never traveled and make my own.  I decided to do both.  After all, this is a Self-Portrait, and one of the things I can tell you about me, the true me, is that I’m a self-contradictory mess.  There are plenty of nods to “Missing” in this piece, from the very opening mirror (I had a better sync up where my face was exactly half of Andrew’s, but I think it came at the wrong part of the song? Maybe the camera ran out of batteries?), to the shot of Andrew walking around alone with headphones in, to the cinematic montage of exploration, to the very idea of having personal log entries scattered throughout.  This was a reply to Missing.  It’s also a companion piece to Powerful Magics.  Look at it this way: If Powerful Magics is the Great and Powerful Oz, then IDTAM:TM is the Man Behind the Curtain.  Powerful Magics was about, among other things, putting on a show and showing off expertise and- perhaps one of the main things- magic.  IDTAM:TM Mirrors a lot of the segmented nature and jumping around that Powerful Magics did, hell it even has a musical breakdown in the middle of it and an experimental deconstruction.  You can even go all the way back to the first pair of videos in this correspondence for references in IDTAM:TM with the reintroduction of Pokemon and Disney films into the discussion.  There are plenty of cosmetic and structural references to the prior pieces all over IDTAM:TM, to the point where it can very well be argued that I did nothing but remix and regurgitate everything that came before.  Gimmicks abound in this piece.

It’s also one of the most outwardly honest and open pieces I’ve made and probably ever will make.  It’s a half-hour straight of a straightforward discussion of my insecurities as a filmmaker and a person and how those insecurities came to be.  It’s a discussion of the idea of friendship and connection and how it has been a topic of pain for me, especially in these past few years.  This film is where we finally confront the 800 pound gorilla that has always been looming around this discussion (at least for me), which is the closing of CSF and how exactly that effected me, in the short and long term.  The Closing of CSF is something I’m still working through, and it’s not because of the loss of the school.  It’s the loss of friendship I experienced as a side-effect of it.  It’s the painful reality that we all have to face sooner or later: People move on; and for me it seems like people move on a lot more often.  The point of this film is also to explore why this betrayal hit me so hard: because I’ve never felt like I belong in this world, even though by all accounts I should.  To tell the story of my isolation, the school closing, it’s reverberations to this day I had to skip over a few decades worth of explanations as to my actions.  But again, this is meant to be a portrait, not a biography.  But in terms of leading to the climax: my thoughts of suicide and finally going on mood stabilizing medication, the story is very linear and paced out rather well.

But this is also a self-portrait, shaped by individual style and how I see the world.  It’s a world of chaos.  A world where dominoes are carefully set up then stomped on and destroyed, falling in ever more complex patterns.  Mine is a world where I am the video game villain, the mastermind who has little motivation for wanting to ruin everything except for “Thing just didn’t work out”.  Mine is a world where reality can be ripped apart, and throughout the piece the moments of data bending, of sync errors, of dead pixels and duplicating images, they all come together in these moments of stylistic flourish.  They’re also all very deliberate.  True, the sync errors were a constant problem I ran into when exporting this project, but it was something that I could and did fix if needed.  But the dissonance between sound and picture and the removal experienced by the blinks to grey are there to communicate the delicate chaos of our world: One error and we blink to grey.  One blip of code and suddenly what you see as life and what you experience (hear) as life are out of sync, and you do what you can to fix it.  Every moment of pixellation and of bending also serve this point: peeling away layers and exposing these images for the conglomeration of RGB that they are.

Finally, we come to the Jellyfish.  This was come of the most beautiful footage I ever shot, and there’s always an otherworldly elegance to the Jellyfish.  Elegance, danger, and mystery all combine in the nature of the jellyfish in their movement, their sting, and their biology.  They are an ancient creature which has survived through millennia lacking the one organ that I feel defines life: The brain.  So do the jellyfish here represent stupidity, mystery, timelessness, beauty, reaction, survival, or danger?  It’s all that and more depending on where the footage is used and how it’s used, and yes this openness is very much planned.So with all this conflicting structure and conflicting ideas it’s no wonder that the final piece is a mess, and that’s okay.  It’s okay because I think in the end it accomplished all I wanted it to, mainly showing what these six years or so have been like for me in between Powerful Magics and IDTAM:TM.  Because these past few years have been messy.  But I’m starting to be okay with that, and putting this together was a big part in getting here.


So that’s that.  Look forward to a bit of a write-up on how exactly I went about crafting a package for this piece, and I promise that will be a bit closer to my usual analysis of form and how to incorporate references to prior packages and pieces in a meaningful way.  I may also do one final write-up on the state of The Journey of the Tape up until this point.

If you’re interested in Andrew’s thoughts on this piece, I will link to it HERE when it goes live.

As a closing remark, though, I can’t help but feel Andrew got his summation of our conversation wrong.  He’s been ignoring context and a lot of space around the pieces.  Here’s how it’s felt to me:

Are You Okay? (I Got the Poops)

Yeah, Sure! (In Fridge)

Well, Good. Things looked a bit bleak there. (Happy Birthday, Murderer!)

Of Course I’m Okay.  Maybe you’re not Okay! (Powerful Magics)

You’re right. I don’t think I am. (Missing)

Well neither am I.  Sorry. (I Don’t Talk About Music: The Musical)

 

Clean Garage

It’s strange how often the pieces that were Plan B’s ended up being pieces that I’ve either become known for or have really embraced as personal favorites.  My Name is Ward Armstrong and I Travel Through Time was a bit of a plan B project (and now it’s one of my most popular works) and Clean Garage, embedded below, was a Plan B and it’s one of my favorites.  I can’t remember what the Plan A was or what the exact nature of the assignment was, but basically one afternoon I got together a small crew and one actress and we made ended up making this.

Clean Garage from Vvinni Gagnepain on Vimeo.

I see Clean Garage as one of my unsung classics. It’s got loneliness, claustrophobia, a bit of wackiness, and a some sort of Polish theme song.  I feel it’s a bit difficult to know exactly what’s going on (I chalk that up to not getting enough footage or definition on the little chunk of gum attached to the wires), but the obsession and the confining emptiness of the space really work to create on heck of an eerie atmosphere.  This atmosphere is, of course, thrown in contrast with what might be my most playful title sequence yet which results in an odd and wonderful bit of cognitive dissonance.  Also, as opposed to a whole lot of my other films, the sound mix here isn’t too low or too overpowering (I would say that this is thanks to us shooting in an almost entirely empty garage).  What about you, internet-land? What are your feelings on Clean Garage?  Do you know that’s a piece of gum on the wires? Do you believe that she isn’t able to reach it? WHAT THE HELL WAS SHE PLANNING ON DOING TO THOSE RECEIPTS?

|Square|

One of the last films I made of my sophomore year of college was meant to be a documentary project (I don’t remember the exact assignment, but at that point it didn’t really matter).  Mind you, this was when my school had gone completely bankrupt and had, for all intents and purposes, closed down and so this was also looking like it’d be the last film I’d ever make at CSF.  So I decided to make a documentary on carpet. I also wanted to merge this documentary with my own growing form of non-linear story-telling to create something as scattered as the square patterns on the floor.  Let’s take a look at what I did, shall we:

|Square| from Vvinni Gagnepain on Vimeo.

So that’s that.  The reason I chose this carpet, if you didn’t catch it, is that it was  not only something unique to the school (the place) but it was also a suitable enough anachronism to fully capture every bit of  my time in New Mexico and at the College of Santa Fe.    To the extent of capturing a time and place, I’d say the film is a success.  To the extent of capturing a bit of what makes this carpet so interesting, I’d say it does half of the job.  Having three people talk somewhat confusedly I’d say sort of captures the confusion of it, and the movement over the carpet was a good idea in theory.  However, once again, my tendency to play fast and loose with color correction sort of ruined the psychedelic  scheme of the flooring, which is one of the things that makes it most interesting (I’m also not sure if I was sold on white balancing yet.  I am now, don’t worry).  The sound also sounds rather muffled, and I’m pretty sure it has to do with my technical lack of understanding (this is just one step in the journey that showed me its better to work with a crew of people who knew what they were doing, rather than alone).  It’s still a neat piece, and currently its the last documentary I made (though there are some others I’d like to make eventually), and after returning to CSF I was told that many people thought this documentary should be required viewing (and I’d also say that the larger and more immersive you can get this piece, the more spectacular it will be).

Disfigurement Man: The Fear Wake

Disfigurement Man originally started out as a writing warm-up from The Ministry of Playwriting, but come Spring of 2009 when I was tasked with creating an animation project I decided it was time to adapt the warm-up into a short film.  The process for the stylistic creation of this piece was in itself a bit involved (like every animation piece I’ve done this was created by hand-drawing each character and background and putting the looping animations through After Effects), and you can find out all about in VATAS Ethisode 11.  But if you’re not in the mood to watch a longish and rather quiet rant about animation, you can instead just watch the final piece:

Disfigurement Man: The Fear Wake from Vvinni Gagnepain on Vimeo.

I still very much enjoy Disfigurement Man, and although in terms of scriptwriting it very much shows its beginnings as a writing warm-up I think the stylistic flourishes make up for it. A little bit, anyways.   The soundtrack composed by William Culbert (who also helped me out with the score to Into the Mainframe), helps set the mood as a Blade Runner/Hill Street Blues dystopia where only the ugly remain (although none as ugly as Disfigurement Man). The animation style, with its roughly composited frames and constant movement,  also helps bring out this feeling of noirish ugliness and evokes a gritty punk sense as well (both which greatly add to the feeling and mood of the piece).  The vocal performances are fine, although I think I’m still trying to figure out how to coax good vocal performance out of people like I can (at least part of the time) with live-action performances.

Also, as far “superhero” origin stories go, getting “Shot by some bullets” is a fantastic one.

Help! My Lawn Ornaments Been Taken by ROBBERS!

Another one of my impossibly punctuated and long titles, as well another testament to my cinematic crimes, we’ve arrived at another pretty definitive piece in the Vvinni Gagnepain oeuvre. It’s also one of the most beautiful, silly, and incomprehensible pieces I’ve made. Let’s take a look at it:

Help! My Lawn Ornaments Been Taken by ROBBERS! from Vvinni Gagnepain on Vimeo.

Lawn Ornament falls into a category of films that I call “The Beautiful Mess”, and it represents everything about this category that I love: It’s a wonder to look at (even if some composition choices are strange ones, I feel like everything mushes together into a wonderful surreal soup), the plot is all over the place (It’s essentially a “Crime Movie”, taking bits and pieces of genre conventions without really doing anything to put them together. This may sound like a criticism, but it’s most certainly not), and all of the performances are greatly sincere and take this odd world they’ve been thrown into at face value (I really do enjoy the performance of everyone in the film, give or take a Vvinni Gagnepain).  The only few thing’s I’d change if I were to release a “special edition director’s cut” would be to fix the aspect ration and the freeze frames (I made this before I really understood what an aspect ratio was, which is why the film has some weird letterbox issues), and I’d probably re-do the sound mix (Rigsby’s screaming scene peaks and there’s not much to do about that, but the knocking on the door in the house is nearly inaudible, and Mr. Henry’s song gets a bit drowned out by stock music in the background).

Nevertheless, I consider this film a huge success. What about you? Do you feel like eating a money omelet now?

About Film, Time, and Pumas

I keep a log of my dreams. Most of them, anyways.  Well, okay, fine, a hefty handful of them.  The number’s not important, what is important is that my obsessive logging proved to be useful for once when I was given the assignment during my time at CU Boulder in 2009 to make a film exploring the dreamscape.  There are so many different styles and types of dreams, and I do think everyone dreams different as dreams are merely firings of electrical synapses (This doesn’t mean they’re meaningless, it just means that they’re not as nice and relevant as sometimes we’re led to believe), so I decided to focus on the filmmaker’s anxiety dream as well as my own experiences in semi-lucid dreams.  The result is below. Let’s watch, and stick with it because it gets pretty great:

About Film, Time, and Pumas from Vvinni Gagnepain on Vimeo.

What to say about this film?  I still greatly enjoy it, even some three or four years and a lot of technical honing later.  I think it not only provides a good cap to my Basement and Colorado film years, but it also features some of my favorite quotes (“The Key is inside the Puma, here take my knife!” , “Candy Town Forest!”, and “Heidegger fails to incorporate cube time which makes him stupid and false and wrong” all spring to mind. I’d love to hear some of your favorites) and it encapsulates a lot of the vividness and mundanity of our dreams: Both with the candy colored lighting schemes, the strange and often sluggish editing, and especially the minute straight of watching an egg white drip down a sign.

In spite of all of this, there a few issues.  Although the pacing at times works, a lot of the line delivery can fall flat and there are some gaps where actors are searching for lines that could have been edited over.  Some of the filmic gags didn’t come through in part because of my own color correcting and in part because of the lack of light (Mostly I’m speaking about the Greeking gag with the coconut, which no one will ever be able to understand or see), and in general the demeanor of Mike never quite gets through (I blame myself and my directing of Mikhail for this, mostly because Mikhail’s performance as Milk is spot on).

However, in spite of all of the flaws, I do deserve a bit of a break.  After all, this is the movie that ends with a person fighting a puma that’s also themselves that’s also a goat. Oh, and the camera is falling asleep at that point. So, I think that at least helps cover for the lackluster beginning, doesn’t it? DOESN’T IT?!

Accessories to Cake

As mentioned in the previous post about my thesis film Delicious Pound Cake, there were plenty of pieces leading up to the final release.  The first of which are these short videos featured on my Indiegogo fundraising campaign called Cakelogs:

Cakelog 12/27/10 from Vvinni Gagnepain on Vimeo.

Cakelog 1/10/11 from Vvinni Gagnepain on Vimeo.

Cakelog: MLK Jr. Day 2011 from Vvinni Gagnepain on Vimeo.

 

Cakelog: 1/24/11 from Vvinni Gagnepain on Vimeo.

 

Cakelog: 2/7/11 from Vvinni Gagnepain on Vimeo.

 

Cakel♥g: Vawuntines Day 2♥11 from Vvinni Gagnepain on Vimeo.

The Cakelogs were an interesting idea. Mainly, I was trying to fix what I saw as a growing problem with my other video series, Vvinni’s Adventure’s Through Art School, wherein many time they became so long and meandering that I feel it became a daunting task to watch them. So, for every Cakelog I tried to keep them around one minute and have it be quick and to the point. This eventually became a major flaw in them, as I feel with only facts and information the Cakelogs became rather boring and procedural, and this eventually hurt my funding campaign rather than help it.  But, oh well.

Next up is, of course, the “Delicious Pound Cake” Teaser trailer, which I’m fond of. I think it give an accurate idea of the movie (it doesn’t answer the valid question of why a 12 1/2 minute film needs a trailer, but this does: I was hoping to have this out on the festival circuit for some time, and I wanted to give the cast and crew a chance to see the footage and get as excited about the film as I was).

Delicious Pound Cake Teaser Trailer from Vvinni Gagnepain on Vimeo.

Finally, once funding and festival publicity was over, it was time to begin looking at the Delicious Pound Cake DVD.  This is still in the works (needless to say, I have some major issues with DVD Studio Pro, but that’s the only advanced DVD authoring software out there), but in the meantime here are a few extras to hold you off: A commercial from the Sugar Council of America, and gameplay footage from Salvador’s Chronicles of the Fourth Kind, described as being made by “one of the most visionary humans ever”.  Enjoy, have your cake, eat it, and explode into a miniature sun too.

A Message from the Sugar Council of America from Vvinni Gagnepain on Vimeo.

 

Delicious Pound Cake

As the seven previous readers of the Henceblog know, much of my senior year of my undergraduates degree was spent putting together my senior thesis project: Delicious Pound Cake, a story about cake and the apocalypse.  The story of how production began and the story of pre-production can be seen with the Cakelog video series, but overall the creation of Delicious Pound Cake went by smoothly without much of a fuss.  Except that about a week before production began I had around half a ton of plywood fall on me and crush my leg, and that we got into a bit of a location snag for our general store (getting the proper papers signed in time, it wasn’t too terrible a problem, but it was something).

So, for the entirety of production I was on crutches, and for a sizable portion of production I was on painkillers. The funding campaign never took off as much as I would have liked it to (mainly because of lack of visibility and lack of funds for those who could see the campaign), and that coupled with general lack of organization on my part and business form all involved (this was, after all, still a school project) caused us to be a bit scattered during filming at times, and caused me to overlook a few pivot things.  But, in the end, the project was completed, and it went into the festival circuit.

That’s around where the previous Henceblog left off. Well, the festival circuit wasn’t kind to Delicious Pound Cake. Or maybe it was so kind it decided to leave it alone, but at any rate the film never made it into anything. So, I decided to put it up online so it can be free for anyone to watch anywhere. That’s where it is now, and that’s what is embedded below for your viewing pleasure:

Delicious Pound Cake from Vvinni Gagnepain on Vimeo.

I now understand why Delicious Pound Cake didn’t make it into any festivals, I think the script was a bit lacking, and the overall apocalyptic idea was just barely underdeveloped (enough, though, to make it very difficult to understand, and enough to create a few glaring issues [like this one: how is it that all of the spices and the like in the general store are all unharmed EXCEPT for the vanilla? Shouldn’t all of the spices have been vaporized in a nuclear blast?]).  However, I do think it’s a fantastic senior thesis, and I also think it’s one of the best movies I’ve made (not THE best, mind you, that honor belongs to Lamplight Breakfast on a Burning Kitten).  We all did the best we could, and I still think that it should have gotten into at least one festival. But oh well, Next time.