This is the last project I did for my Landscape and film class. This one is a dream sequence. A dream sequence of what, you may ask? Well, I direct your attention to the title of the post and strongly recommend you pay attention to what you click on.
I had a bit of car driving ambience, by which I mean traffic ambience, in the car scene, although for the most part I wanted to keep it clear that they were just sitting in a car.
Also, I agree with you Nick: I think one of my favorite scenes is the Puma Fight scene. Mainly because it has two of my favorite lines in it, which are: “This isn’t a puma; this is me!” and “The Key is inside the Puma”.
Also, fantastic job on the Puma voice.
This is one of the better movies about dreams I think I’ve seen. I think what works about this is how honestly weird it is. You’re weird in a way that I think makes Tim & Eric funny, a way that isn’t saying “hey! Look! this movie’s weird! It’s a dream!” instead of doing that, you’re more like “sincerely” weird, and that makes it great. If that makes sense.
My 2 favorite things in this are A) The shot of the Candy Town Forest sign with the egg dripping down it–and “Candy Town Forrest” is a great name–that’s really hilarious and strange and B) The Puma-Hunting Master. Though, I may be biased toward him. But, his voice was hilarious. And if it’s your job to hunt Pumas, well, you have to be a good person. You just have to. I think it’s a law of the universe.
God and the change! Man I laughed so hard. I watched it twice. I don’t get the cat but other than that I think this is pretty much perfect. I think the logo on the coconut gets lost too but that’s just me.
Vvinni that was really good. I think this is my favorite movie you’ve made so far. The Puma bit cracked me up, and so did Milk, and so did pretty much everything. Top notch.
Truly amazing. Your sound design is a bit tortured in places (and you really need some car-driving ambience in the car scenes), but well-done. The shot where Mike adjusts the camera is mind-bending.
This is a movie made in a way that it is good about some things, but in other places I think that it may not be very accurate.
I had a bit of car driving ambience, by which I mean traffic ambience, in the car scene, although for the most part I wanted to keep it clear that they were just sitting in a car.
Also, I agree with you Nick: I think one of my favorite scenes is the Puma Fight scene. Mainly because it has two of my favorite lines in it, which are: “This isn’t a puma; this is me!” and “The Key is inside the Puma”.
Also, fantastic job on the Puma voice.
Overall: Thank you. Thank you all.
Vvinni, this is awesome.
This is one of the better movies about dreams I think I’ve seen. I think what works about this is how honestly weird it is. You’re weird in a way that I think makes Tim & Eric funny, a way that isn’t saying “hey! Look! this movie’s weird! It’s a dream!” instead of doing that, you’re more like “sincerely” weird, and that makes it great. If that makes sense.
My 2 favorite things in this are A) The shot of the Candy Town Forest sign with the egg dripping down it–and “Candy Town Forrest” is a great name–that’s really hilarious and strange and B) The Puma-Hunting Master. Though, I may be biased toward him. But, his voice was hilarious. And if it’s your job to hunt Pumas, well, you have to be a good person. You just have to. I think it’s a law of the universe.
Wow, amazing.
God and the change! Man I laughed so hard. I watched it twice. I don’t get the cat but other than that I think this is pretty much perfect. I think the logo on the coconut gets lost too but that’s just me.
Vvinni that was really good. I think this is my favorite movie you’ve made so far. The Puma bit cracked me up, and so did Milk, and so did pretty much everything. Top notch.
Truly amazing. Your sound design is a bit tortured in places (and you really need some car-driving ambience in the car scenes), but well-done. The shot where Mike adjusts the camera is mind-bending.