Another one of my impossibly punctuated and long titles, as well another testament to my cinematic crimes, we’ve arrived at another pretty definitive piece in the Vvinni Gagnepain oeuvre. It’s also one of the most beautiful, silly, and incomprehensible pieces I’ve made. Let’s take a look at it:
Lawn Ornament falls into a category of films that I call “The Beautiful Mess”, and it represents everything about this category that I love: It’s a wonder to look at (even if some composition choices are strange ones, I feel like everything mushes together into a wonderful surreal soup), the plot is all over the place (It’s essentially a “Crime Movie”, taking bits and pieces of genre conventions without really doing anything to put them together. This may sound like a criticism, but it’s most certainly not), and all of the performances are greatly sincere and take this odd world they’ve been thrown into at face value (I really do enjoy the performance of everyone in the film, give or take a Vvinni Gagnepain). The only few thing’s I’d change if I were to release a “special edition director’s cut” would be to fix the aspect ration and the freeze frames (I made this before I really understood what an aspect ratio was, which is why the film has some weird letterbox issues), and I’d probably re-do the sound mix (Rigsby’s screaming scene peaks and there’s not much to do about that, but the knocking on the door in the house is nearly inaudible, and Mr. Henry’s song gets a bit drowned out by stock music in the background).
Nevertheless, I consider this film a huge success. What about you? Do you feel like eating a money omelet now?